Gérard Schlosser. By Chance (‘Par hasard’), 2018 (private collection).

Acrylic on canvas: 100 x 100 cm. Reworked from a 1970s photo session: here.

Visit > Gérard Schlosser at Galerie Laurent Strouk.
More > Gérard Schlosser at Wikipedia (French).

Chloe Early. Long Haul Lullaby, 2016 (artist’s portfolio).

Oil on aluminium: 122 x 137 cm.

Visit > Chloe Early official.
More > Chloe Early blog.

Willem Claesz Heda. Still Life with a Blackberry Pie, 1644 (French & Company llc, New York).

Oil on wood: 80.6 x 101.5 cm. Auctioned at Christie’s London, July 2014.

Visit > French & Company llc, New York.
More > Willem Claesz Heda at Wikipedia.

René Magritte. The Eternally Obvious: Knees (‘L'évidence éternelle: genoux’), 1954 (private collection).

Oil on canvas: 20.3 x 21 cm(!). Originally conceived as part of a five-piece work that was never completed. Similar finished versions at: The Menil Collection, Houston (1930) and The Metropolitan Museum of Art, New York (Pierre and Maria Gaetana Matisse Collection, 1948). Only three of the five projected canvases (the head, breasts and knees) have been traced. Auctioned at Christie’s New York, November 2017. 

More > René Magritte at Wikipedia.

David Teniers the younger. The Archduke Leopold William in his Paintings Gallery in Brussels (‘El archiduque Leopoldo Guillermo en su galería de pinturas en Bruselas’), ca. 1650 (Museo Nacional del Prado, Madrid).

Oil on copper: 104.8 x 130.4 cm.

Visit > Museo Nacional del Prado, Madrid.
More > List of paintings depicted.
More > David Teniers the younger at Wikipedia.

Cornelis van Haarlem. The Fall of Man (‘De zondeval’), 1592 (Rijksmuseum, Amsterdam).

Oil on canvas: 273 x 220 cm(!). Photo credit: Hen Magonza.

Visit > Rijksmuseum, Amsterdam.
More > Google Arts & Culture.
More > Cornelis van Haarlem at Wikipedia.

Johannes Vermeer. Woman reading a Letter (‘Brieflezende vrouw’), ca. 1663 (Rijksmuseum, Amsterdam).

Oil on canvas: 46.5 x 39 cm. Lapis lazuli.

Visit > Rijksmuseum, Amsterdam.
More > Google Arts & Culture.
More > Johannes Vermeer at Wikipedia.

Kazimir Malevich (Казими́р Севери́нович Мале́вич). Suprematist Composition, 1916 (private collection).

Oil on canvas: 88.7 x 71.1 cm. Auctioned at Christie’s New York, May 2018. Previously in the collection of the Stedelijk Museum Amsterdam.

More > Kazimir Malevich at Wikipedia.

Eduardo Berliner. Woman with Dog, 2009 (private collection).

Oil on canvas on panel: 200 x 150 cm. Auctioned at Christie’s London, June 2018.

Visit > Eduardo Berliner at Saatchi Gallery.

Cornelis Saftleven. A Concert of Cats, Owls, a Magpie, and a Monkey in a Barn, ca. 1650 (private collection).

Oil on wood: 48.6 x 48.6 cm. Auctioned at Sotheby’s New York, January 2011.

More > Cornelis Saftleven at Wikipedia.

Parmigianino (Francesco Mazzola). Madonna with the long Neck (‘Madonna con Bambino e angeli’/ ‘Madonna dal collo lungo’), ca. 1540 (Galleria degli Uffizi, Florence).

Oil on wood: 219 x 135 cm. The girl in the middle is sometimes thought to be the model for ‘Antea with the freakishly long arm’: here.

Visit > Galleria degli Uffizi, Florence.
More > Google Arts & Culture.
More > Parmigianino at Wikipedia.

Gustav Klimt. A Morning by the Pond (‘Stiller Weiher - Egelsee bei Golling, Salzburg’), 1899 (Leopold Museum, Vienna).

Oil on canvas: 75.1 x 75.1 cm.

Visit > Leopold Museum, Vienna.
More > Google Arts & Culture.
More > Gustav Klimt at Wikipedia.

Justin Mortimer. Breed 1, 2018 (artist’s portfolio).

Oil and acrylic on canvas: 240 x 178 cm.

Visit > Justin Mortimer official.
Visit > Justin Mortimer at Parafin.
More > Justin Mortimer at Wikipedia.

Jacob van Hulsdonck. Still Life with Lemons, Oranges and a Pomegranate, ca. 1630 (J. Paul Getty Museum, Los Angeles).

Oil on wood: 41.9 x 49.5 cm.

Visit > J. Paul Getty Museum, Los Angeles.
More > Google Arts & Culture.
More > Jacob van Hulsdonck at Wikipedia.

Neil Stokoe. Diagonal Staircase, ca. 1985 (artist’s estate, UK).

Oil on canvas: 175.5 x 205.7 cm. Neil Stokoe (2015): “There are aspects of Cubism that I can identify with. However, when it goes from analytical into hermetic Cubism I emotionally lose touch with it, though I understand its importance in the history of modern representation. But I didn’t feel it was the kind of space that could represent the emotional content I was interested in, and so my objection to that approach was very conscious”.

More > Neil Stokoe at Art UK.
More > Neil Stokoe at: The Piper Gallery, Megan Piper, The Redfern Gallery.

Lucas Cranach the elder. Lucretia, ca. 1540 (Neue Residenz, Bamberg).

Oil on lime: 87.6 x 58.3 cm.

Visit > Neue Residenz, Bamberg.
More > Lucas Cranach the elder at Wikipedia.
More > Cranach Digital Archive.

Jean-Étienne Liotard. Marie Fargues, the Painter’s Wife, ca. 1758 (Rijksmuseum, Amsterdam).

Pastel on parchment: 103.8 x 79.8 cm.

Visit > Rijksmuseum, Amsterdam.
More > Google Arts & Culture.
More > Jean Étienne Liotard at Wikipedia.

Karl Schmidt-Rottluff. Sea Snails, 1953 (Museo Nacional Thyssen-Bornemisza, Madrid).

Oil on canvas: 65 x 73 cm.

Visit > Museo Nacional Thyssen-Bornemisza, Madrid.
More > Karl Schmidt-Rottluff at Wikipedia.

Nöel-Nicolas Coypel. The Abduction of Europa (‘L'enlèvement d'Europe’), 1727 (Philadelphia Museum of Art).

Oil on canvas: 127.6 x 194 cm.

Visit > Philadelphia Museum of Art.
More > Nöel-Nicolas Coypel at Wikipedia.

Pieter Bruegel the elder (disputed attribution). The Fall of Icarus (‘De val van Icarus’/ ‘La chute d'Icare’), ca. 1558 (Musées royaux des Beaux-Arts de Belgique, Brussels).

Oil on canvas: 73.5 x 112 cm. Disputed attribution, for its poor execution and for it being oil on canvas. Also interpreted as a 1560-1600 copy by an unidentified artist.

Visit > Musées royaux des Beaux-Arts de Belgique, Brussels.
More > Google Arts & Culture.
More > Pieter Bruegel the elder at Wikipedia.