31 May 2021

Jheronimus/ Hieronymus Bosch. Saint John the Baptist (‘Meditaciones de San Juan Bautista’/ ‘Heilige Johannes de doper’), ca. 1490 (Museo Lázaro Galdiano, Madrid).



Oil on wood: 48.5 x 40.5 cm. The odd plant next to Saint John was painted over a kneeling male figure. This man was probably a patron who was supposed to fund a private altarpiece with separate panels. A defaulter removed.

Visit > Museo Lázaro Galdiano, Madrid.
More > Google Arts & Culture.
More > Jheronimus/ Hieronymus Bosch at Wikipedia.
More > Our top-50 favourite paintings.

25 May 2021

El Greco (Domenikos Theotokopoulos). The Vision of Saint John, ca. 1614 (Metropolitan Museum of Art, New York).



Oil on canvas: 222.3 x 193 cm. Originally an altarpiece referred to as 'Profane Love', and later renamed 'The Opening of the Fifth Seal'. Its modern composition is due to a restoration around 1880 when the upper portion of the canvas was cut down. It makes so much sense that this painting was the inspiration for 'Les Demoiselles d'Avignon'.

Visit > Metropolitan Museum of Art, New York.
More > El Greco (Domenikos Theotokopoulos) at Wikipedia.

23 May 2021

Nöel-Nicolas Coypel. The Rape of Europa, 1722 (Virginia Museum of Fine Arts, Richmond/ USA).



Oil on canvas: 90.2 x 102.2 cm. Nöel-Nicolas Coypel (1690-1734): son of Noël Coypel (1628-1707) and half-brother to the more-famous painter Antoine Coypel (1661-1722).

Visit > Virginia Museum of Fine Arts, Richmond/ USA.
More > Google Arts & Culture.
More > Nöel-Nicolas Coypel at Wikipedia.

17 May 2021

Bernardino Mei. Ghismunda, ca. 1655 (Pinacoteca Nazionale di Siena).



Oil on canvas: 66.5 x 47.5 cm. From Boccaccio’s Decamerone. Ghismunda, the daughter of Prince Tancredi of Salerno, had a secret affair. Her father had her lover killed and his heart sent to Ghismunda in a golden chalice.

Visit > Pinacoteca Nazionale di Siena.
More > Bernardino Mei at Wikipedia.