29 September 2021

Jan Brueghel the elder. Visit to the Tenants (‘Besuch auf dem Pachthof’), ca. 1597 (Kunsthistorisches Museum, Vienna).


Oil on copper: 27 x 36 cm. A copy by Jan Brueghel the elder of a now lost original by his father Pieter Bruegel. The Frits Lugt Collection in Paris still holds a grisaille drawing attributed to Pieter Bruegel, dated 1567 and titled 'Visit to the Tenant Farmer' (Fondation Custodia, Paris). In Antwerp lies another grisaille panel by Jan Brueghel the elder, titled 'Visit to the Peasants' (Koninklijk Museum voor Schone Kunsten, Antwerp). Yet another oil on wood panel copy in The Holburne Museum/ UK by Pieter Brueghel the younger (son of Pieter Bruegel, and brother of Jan Brueghel the elder), dated ca. 1620 and titled ‘The Visit of the Godfather’. It was initially thought that the scene depicted a visit by a rich foster father to a newly born godchild, but it is now believed to represent a maternity visit by a landlord to his tenants.

Visit > Kunsthistorisches Museum, Vienna.
More > Jan Brueghel the elder at Wikipedia.

25 September 2021

Meredith Frampton. Marguerite Kelsey, 1928 (Tate Modern, London).


Oil on canvas: 120.8 x 141.2 cm. Kelsey (1909-1995) was a professional model in the 1920s and 1930s. Renowned for her gracefulness she sat to about 20 London artists. She became so popular that she was often booked months in advance. This work was originally titled 'Woman Reclining', but changed by the artist for a Tate Gallery retrospective in 1982. During this retrospective Kelsey was the only still-living sitter who had not yet been traced. She had been living in New Zealand. Upon seeing reviews of the exhibition, she contacted the Gallery and visited the exhibition. According to Kelsey the artist required a perfect morning light. The painting required at least twelve and possibly as many as twenty-four sittings. The Beeton portrait: here.

Visit > Tate Modern, London.
More > Meredith Frampton at Wikipedia.
More > Meredith Frampton at Art UK.
More > Marguerite Kelsey obituary by Richard Ormond.
More > Our top-50 favourite paintings.

22 September 2021

Max Pechstein. The Green Sofa ('Das Grüne Sofa'), 1910 (Museum Ludwig, Cologne).


Oil on canvas: 96.5 x 96.5 cm. Verso: Portrait of the Artist’s Wife (‘Bildnis der Gattin des Künstlers’).

Visit > Museum Ludwig, Cologne.
More > Max Pechstein at Wikipedia.

14 September 2021

2 September 2021

Natee Utarit. Ball of Greed and Illusion no. 1, 2008 (private collection).


Oil on canvas: 180.5 x 160 cm. Auctioned at Sotheby’s Hong Kong, April 2021. Natee Utarit (2018): “I’m always asking the people around me if we aren’t looking at things too optimistically. Is everything we see really as beautiful as it seems? These kinds of questions aren’t meant to destroy people’s faith; they are a reflection of our uncertainty and loss of belief in the reality right there in front of us. We can’t deny that always looking at life through rose-coloured glasses doesn’t teach us much of anything about how to live our lives in the world as it is today - a world where reality is so much more intense and so radically different from the past”.