Showing posts with label Subject: allegory. Show all posts
Showing posts with label Subject: allegory. Show all posts

20 January 2021

Paolo Veronese. Happy Union, ca. 1575 (National Gallery, London).


Oil on canvas: 187.4 x 186.7 cm. One of four paintings concerning the trials and rewards of love. The titles were only given to the paintings in 1727.

Visit > National Gallery, London.
More > Google Arts & Culture.
More > Paolo Veronese at Wikipedia.

18 December 2020

Jheronimus/ Hieronymus Bosch. The Ship of Fools (‘Het Narrenschip’/ ‘La Nef des fous’), ca. 1500 (Musée du Louvre, Paris).



Oil on oak: 58.1 x 32.8 cm. This panel, with ‘Allegory of Gluttony and Lust’ (Yale University Art Gallery, New Haven), constituted the inside of a triptych that, when closed, revealed the ‘Wayfarer’ (Museum Boijmans Van Beuningen, Rotterdam). Restored in 2014-2015 by Agnès Malpel (Département des Peintures du musée du Louvre/ Bosch Research and Conservation Project). The panel had been subjected to overpainting, probably when it was presented as an autonomous painting. The foliage of the branch tied to the mast was considerably enlarged, and the water on which the vessel floats was significantly overpainted. A mountain that closed off the image on the right edge also proved to be a later addition.

Visit > Musée du Louvre, Paris.
More > Jheronimus/ Hieronymus Bosch at Wikipedia.

26 September 2020

Pieter Bruegel the elder. The Blind leading the Blind, ca. 1568 (Museo di Capodimonte, Naples).



Distemper on linen: 86 x 154 cm. Also known as ‘Parable of the Blind’. The museum has a good-quality copy by an unidentified late 16th-century Flemish painter (formerly attributed to Bruegel’s son Pieter Brueghel the younger). Another copy by another unidentified painter is at the Musées royaux des Beaux-Arts de Belgique, Brussels.

Visit > Museo di Capodimonte, Naples.
More > The Blind leading the Blind at Wikipedia.
More > Pieter Bruegel the elder at Wikipedia.
More > The Brussels copy at Google Arts & Culture.
More > Our top-50 favourite paintings.