Lucas Cranach the younger. Portrait of a Lady (‘Weibliches Bildnis’), 1564 (Kunsthistorisches Museum, Vienna).

Oil on lime: 106.5 x 89.5 cm. Pendant with a portrait of an unidentified man, with the same distinct shadow on the wall.

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Mario Nubauer. Untitled II, 2015 (artist’s portfolio).

Mixed media on canvas: 180 x 200 cm.

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Ferdinand Georg Waldmüller. The halted Pilgrimage (‘Die unterbrochene Wallfahrt‘, ‘Die Hilfeleistung‘), 1853 (Liechtenstein Museum, Vienna).

Oil on wood: 46 x 58 cm. Auctioned at Dorotheum Vienna, November 2005.

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Egon Schiele. Standing nude Girl with Orange Stockings ('Stehendes nacktes Mädchen mit orangefarbenen Strümpfen‘), 1914 (Leopold Museum, Vienna).

Pencil, watercolour and gouache on paper: 48.3 x 32.2 cm.

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Jan Brueghel the elder. Visit to the Tenants (‘Besuch auf dem Pachthof’), ca. 1597 (Kunsthistorisches Museum, Vienna).

Oil on copper: 27 x 36 cm. A copy by Jan Brueghel the elder of a now lost original by his father Pieter Bruegel. The Frits Lugt Collection in Paris still holds a grisaille drawing attributed to Pieter Bruegel, dated 1567 and titled 'Visit to the Tenant Farmer' (Fondation Custodia, Paris). In Antwerp lies another grisaille panel by Jan Brueghel the elder, titled 'Visit to the Peasants' (Koninklijk Museum voor Schone Kunsten, Antwerp). Yet another oil on wood panel copy in The Holburne Museum/ UK by Pieter Brueghel the younger (son of Pieter Bruegel, and brother of Jan Brueghel the elder), dated ca. 1620 and titled ‘The Visit of the Godfather’. It was initially thought that the scene depicted a visit by a rich foster father to a newly born godchild, but it is now believed to represent a maternity visit by a landlord to his tenants.

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Gustav Klimt. Farm Garden with Sunflowers (‘Bauerngarten mit Sonnenblumen’), 1907 (Österreichische Galerie Belvedere, Vienna).

Oil on canvas: 110 x 110 cm.

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Johannes Vermeer. The Art of Painting (‘Die Malkunst’), ca. 1667 (Kunsthistorisches Museum, Vienna).

Oil on canvas: 120 x 100 cm.

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Egon Schiele. Portrait of Wally Neuzil (‘Bildnis Wally Neuzil’), 1912 (Leopold Museum, Vienna).

Oil on canvas: 32 x 39.8 cm.

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Johann Georg de Hamilton. Kladruber stallion ‘Cerbero’ performing a capriole (‘Kladruber Hengst Cerbero in der Kapriole’), 1721 (Kunsthistorisches Museum, Vienna).

Oil on copper: 49 x 64 cm.

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Alonso Sánchez Coello. Joanna of Austria Princess of Portugal at the Age of 22 with a Dog (‘Prinzessin von Portgual, ganzfiguriges Bildnis im Alter von 22 Jahren mit einer Dogge’), 1557 (Kunsthistorisches Museum, Vienna).

Oil on canvas: 180.5 x 112.5 cm.

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Hugo van der Goes. Diptych with The Fall of Man (‘Diptychon mit Sündenfall’), ca. 1480 (Kunsthistorisches Museum, Vienna).

Oil on oak: 33.8 x 22.9 cm(!). Complete diptych: 41 x 61.5 cm. In the end things didn’t work out for Van der Goes. He had a mental breakdown and declared himself to be damned.

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Diego Velázquez. Infanta Margarita Teresa in a blue Dress (‘Infantin Margarita Teresa in blauem Kleid’), 1659 (Kunsthistorisches Museum, Vienna).

Oil on canvas: 125.5 x 106 cm. Margaret Theresa of Spain, the blonde princess as depicted in ‘Las Meninas’ (1656). Given in marriage to emperor Leopold I (who was her maternal uncle and paternal cousin).

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Gustav Klimt. Judith I, 1901 (Österreichische Galerie Belvedere, Vienna).

Oil on canvas: 84 x 42 cm.

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Lucas Cranach the elder. The Fall of Man (‘Sündenfall’), ca. 1540 (Kunsthistorisches Museum, Vienna).

Oil on beech: 53.3 x 37.1 cm.

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Gustav Klimt. Danaë, 1908 (Galerie Würthle, Vienna).

Oil on canvas: 77 x 83 cm.

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Jan Brueghel the elder (w. Hendrick van Balen). Ceres and the four Elements (‘Ceres und die vier Elemente’). 1604 (Kunsthistorisches Museum, Vienna).

Oil on copper: 41.8 x 70.5 cm.

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Gustav Klimt. Girl in the Foliage (‘Mädchen im Grünen’), ca. 1898 (Österreichische Galerie Belvedere, Vienna).

Oil on canvas: 32.4 x 24 cm(!). Auctioned at Sotheby’s London, March 2017. On loan from the Klimt-Foundation, Vienna.

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Egon Schiele. Female Torso with green Drapery (‘Weiblicher Torso mit grüner Draperie’), 1913 (Albertina, Vienna).

Watercolour, gouache and graphite pencil on paper: 47.9 × 32 cm.

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Gustav Klimt. Allegory of Sculpture (‘Allegorie der Skulptur’), 1889 (Museum für angewandte Kunst, Vienna).

Graphite pencil and watercolour on board: 43.5 x 30 cm.

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Mario Nubauer. Cut it, 2016 (artist’s portfolio).

Oil, lacquer, charcoal, graphite, shellac ink on canvas: 180 x 200 cm.

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