Keita Morimoto. Megan as Flora, 2015 (artist’s portfolio).

Oil on panel: 30.5 x 30.5 cm.

Visit > Keita Morimoto official.
Visit > Keita Morimoto at: Nicholas Metivier Gallery.
More > Megan Ellen MacDonald official.

Joos van Cleve. The last Judgement, ca. 1525 (Metropolitan Museum of Art, New York).

Oil on wood: 123.8 x 86.4 cm.

Visit > Metropolitan Museum of Art, New York.
More > Joos van Cleve at Wikipedia.

Alexei Savrasov (Алексе́й Кондра́тьевич Савра́сов). Rye, 1881 (Tretyakov Gallery, Moscow).

Oil on canvas: 46.6 х 64.5 cm.

Visit > Tretyakov Gallery, Moscow.
More > Alexei Savrasov at Wikipedia.

Giuseppe Cesari. Perseus and Andromeda, ca. 1592 (RISD Museum, Providence/ USA).

Oil on slate: 70.5 x 54.9 cm. Slightly different versions at the Clark Art Institute Williamstown and at the Kunsthistorisches Museum Vienna.

Visit > RISD Museum, Providence/ USA.
More > Giuseppe Cesari at Wikipedia.

Jonathan Gardner. Studio Life, 2014 (artist’s portfolio).

Oil on canvas: 137.2 x 127 cm.

Visit > Jonathan Gardner at Casey Kaplan.

Leo Putz. Midsummer, 1906 (Detroit Institute of Arts).

Oil on canvas: 115.6 x 125.7 cm. La dysphorie post-coïtale.

Visit > Detroit Institute of Arts.
More > Leo Putz at Wikipedia.

Cornelis van Haarlem. The Fall of the Titans (‘Titanernes fald’), ca. 1590 (Statens Museum for Kunst, Copenhagen).

Oil on canvas: 239 x 307 cm.

Visit > Statens Museum for Kunst, Copenhagen.
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More > Cornelis van Haarlem at Wikipedia.

Lucas Cranach the elder. The Judgement of Paris, ca. 1528 (Metropolitan Museum of Art, New York).

Oil on beech: 101.9 x 71.1 cm.

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More > Lucas Cranach the elder at Wikipedia.

Edvard Munch. Waves against the Shore (‘Bølger mot strand’), 1912 (Munchmuseet, Oslo).

Oil on canvas: 98 x 132.5 cm. Photo credit: Richard Jeffries.

Visit > Munchmuseet, Oslo.
More > Edvard Munch at Wikipedia.

John Everett Millais. Ophelia, 1852 (Tate Britain, London).

Oil on canvas: 76.2 x 111.8 cm.

Visit > Tate Britain, London.
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More > John Everett Millais at Wikipedia.
More > John Everett Millais at Art UK.

Peter Paul Rubens (attributed). Adam and Eve, ca. 1599 (Rubenshuis, Antwerp).

Oil on wood: 140 x 182 cm. Early work. Formerly attributed to Karel van Mander. Inspired by an engraving by Marcantonio Raimondi of a Raphael original: 'The Temptation of Adam and Eve' (Rijksmuseum, Amsterdam/ Metropolitan Museum of Art, New York/ Victoria and Albert Museum, London).

Visit > Rubenshuis, Antwerp.
More > Peter Paul Rubens at Wikipedia.

Eckart Hahn. Lord, 2010 (artist’s portfolio).

Acrylic on canvas: 200 x 150 cm.

Visit > Eckart Hahn official.
Visit > Eckart Hahn at: Galerie Wagner + Partner, Pablo's Birthday Gallery, Galerie Rothamel.
More > Eckart Hahn at Wikipedia.

James Ensor. Christ’s Entry into Brussels in 1889, 1888 (J. Paul Getty Museum, Los Angeles).

Oil on canvas: 252.7 x 430.5 cm(!). Ensor displayed the painting in his home and studio throughout his life. It was not exhibited publicly until 1929.

Visit > J. Paul Getty Museum, Los Angeles.
More > James Ensor at Wikipedia.

Albrecht Dürer. The wild Hare (‘Feldhase’), 1502 (Albertina, Vienna).

Watercolour and bodycolour on paper: 25.1 x 22.6 cm(!). A reflection of a window frame in the hare's eye is often cited as evidence for the theory that Dürer copied the hare from life in his workshop. The prominent monogram indicates that the artist considered it a work in its own right, rather than merely a study or sketch. To really appreciate this artwork, you will have to further explore its finer details.

Visit > Albertina, Vienna.
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More > Albrecht Dürer at Wikipedia.

Xevi Solà Serra. Blanca, 2011 (private collection).

Oil on canvas: ca. 116 x 89 cm.

Visit > Xevi Solà Serra official.
Visit > Xevi Solà Serra at: Gallery Inox, Yiri Arts, Galleri Ramfjord, Alzueta Gallery.
More > Xevi Solà Serra at Instagram.

Anton Raphael Mengs. The Adoration of the Shepherds (‘La Adoración de los pastores’), 1770 (Museo Nacional del Prado, Madrid).

Oil on oak: 256 x 190 cm.

Visit > Museo Nacional del Prado, Madrid.
More > Anton Raphael Mengs at Wikipedia.

Joshua Reynolds. Miss Mary Hickey (restored), ca. 1773 (Yale Center for British Art, New Haven/ USA).

Oil on canvas: 76.7 x 63.7 cm.

Visit > Yale Center for British Art, New Haven/ USA.
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More > Joshua Reynolds at Wikipedia.

Alice Neel. Andy Warhol, 1970 (Whitney Museum of American Art, New York).

Oil and acrylic on linen: 152.4 x 101.6 cm.

Visit > Whitney Museum of American Art, New York.
More > Alice Neel at Wikipedia.

Charles van Beveren. The Duet (‘Het duet’), ca. 1840 (Rijksmuseum, Amsterdam).

Oil on wood: 40.3 x 35.6 cm.

Visit > Rijksmuseum, Amsterdam.
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More > Charles van Beveren at Wikipedia.

Paul Klee. Fish Magic, 1925 (Philadelphia Museum of Art).

Oil and watercolour on canvas on panel: 77.2 x 98.4 cm.

Visit > Philadelphia Museum of Art.
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Jan Sluijters. October Sun - Laren (‘Oktoberzon - Laren’), 1910 (Frans Hals Museum, Haarlem).

Oil on canvas: 48.3 x 52.7 cm.

Visit > Frans Hals Museum, Haarlem.
More > Jan Sluijters at Wikipedia.

Floris Claesz van Dijck. Still Life (‘Stilleven met vruchten, noten en kaas’), 1613 (Frans Hals Museum, Haarlem).

Oil on wood: 66.6 x 95 cm.

Visit > Frans Hals Museum, Haarlem/ Netherlands.
More > Floris Claesz van Dijck at Wikipedia.

Jan van Goyen. Landscape with a Rainbow (‘Landskap med regnbåge’), ca. 1640 (Hallwylska museet, Stockholm).

Oil on canvas: 124.5 x 154.5 cm.

Visit > Hallwylska museet, Stockholm.
More > Jan van Goyen at Wikipedia.

John Currin. Red Head, 2012 (artist’s portfolio).

Oil on canvas. An excellent painter and a very talented provocateur.

Visit > Gagosian Gallery, New York.
More > John Currin at Wikipedia.
More > John Currin selected press at Gagosian.

Jeffrey T. Larson. Reflections, 2007 (artist’s portfolio).

Oil on canvas: 50.8 x 96.5 cm.

Visit > Jeffrey T. Larson official.
Visit > Jeffrey T. Larson at: Collins Galleries, Helena Fox Fine Art.

Susannah Martin. Le Déjeuner sur l'herbe est fini, 2015 (artist’s portfolio).

Oil on canvas: 70 x 70 cm. Susannah Martin: “The history of the painted nude in landscape documents exactly this eternal longing. Setting aside for a moment, any erotic motivations, the nude has always also been a symbol for man in his purist form, his original form, his primordial form. Stripped of all social indicators; clothing, possessions , etc., he exists independent of identity in a time of pure being”.

Visit > Susannah Martin official.
Visit > Susannah Martin at: Galerie Störpunkt, Galerie Licht Feld, JY Gallery.
More > Susannah Martin at Instagram.