Matthias Weischer. TV Tower (‘Fernsehturm’), 2004 (private collection).

Mixed media on canvas: 200 x 290 cm(!). Auctioned at Christie’s London, June 2013. Matthias Weischer (2015): “I was working for a while on the interiors that had these psychological moments - you have this clear space and all the objects standing around, and you could derive a meaning from them, or not. There were strong connotations to the objects. I was playing for a long time with these possibilities of the interior and these relationships of the objects to each other”.

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Visit > Matthias Weischer at: Grimm Gallery, König Galerie.
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Nicolas de Staël. Sceaux Gardens (‘Le parc de Sceaux’), 1952 (The Phillips Collection, Washington).

Oil on canvas: 161.9 x 114 cm.

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Gustave Caillebotte. Calf’s Head and Ox Tongue, ca. 1882 (Art Institute of Chicago).

Oil on canvas: 73 x 54 cm.

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Eugène Delacroix. July 28: Liberty leading the People (‘Le 28 Juillet: La Liberté guidant le peuple’), 1830 (Musée du Louvre, Paris).

Oil on canvas: 260 x 325 cm(!).

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Ruprecht von Kaufmann. You never know, 2019 (artist’s portfolio).

Oil on linoleum on wood: 122.5 x 153 cm. Ruprecht von Kaufmann (2021): “Composition is probably the key. I am obsessed with compositions, they are the backbone of every painting and offer so many possibilities to influence the emotional expression of a painting. It’s possible to counter very extreme imagery with a very orderly composition or vice versa. I am always envious of film-directors, because they have a timeline, music and sound available to them. So to me it’s important to introduce a sense of a before or after into the painting. A strong sense that something must have led up to the depicted moment and that something will happen afterwards”.

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Visit > Ruprecht von Kaufmann at: Galerie Thomas Fuchs, Kristin Hjellegjerde Gallery.
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Rembrandt van Rijn. Self-Portrait with two Circles, 1660 (Kenwood House, London).

Oil on canvas: 114.3 x 94 cm.

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Frank Weston Benson. Sunlight, 1909 (Indianapolis Museum of Art, Newfields).

Oil on canvas: 81.3 x 50.8 cm. Probably a study for ‘Summer’, 1909 (RISD Museum, Providence/ USA).

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Umberto Boccioni. Modern Idol, 1911 (Estorick Collection of Modern Italian Art, London).

Oil on canvas: 58.4 x 59.7 cm. Study for ‘Modern idol’ at the Metropolitan New York.

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Manuel Mathieu. Levitation, 2018 (private collection).

Acrylic and oil sticks on canvas: 203.2 x 177.8 cm. Manuel Mathieu (2020): “For me, it started inward the movement, in the sense that I had to understand how generous I had to be with myself in order to keep going. Because a lot of the act of making art is giving to the world whatever you have. When I leave, I will be measured by what I gave, and not what I’ve taken. The act of sharing is an act of generosity in itself. That is not even part of my discussion”.

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Visit > Manuel Mathieu at: Kavi Gupta, Maruani Mercier, HdM Gallery.
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Otto Möller. Portrait of Marga Möller (‘Porträt Marga Möller - im gelben Kleid’), 1930 (private collection).

Oil on canvas: 100.5 x 74.5 cm. The artist’s wife Margarete Selma (Marga) Uhlmann. Auctioned at Grisebach Berlin, June 2021.

More > Otto Möller at Wikipedia (German).
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Henri de Toulouse-Lautrec. M. de Lauradour, 1897 (Museum of Modern Art, New York).

Oil and gouache on cardboard: 67.9 x 82.6 cm.

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Frans Snyders. The Bird’s Concert, ca. 1640 (State Hermitage Museum, Saint Petersburg).

Oil on canvas: 136.5 x 240 cm.

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Albert Anker. Still Life with Coffee ('Stillleben mit Kaffee'), 1877 (Stiftung für Kunst, Winterthur).

Oil on canvas: 45 x 59 cm.

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Susannah Martin. Reservoir, 2018 (private collection).

Oil on linen: 50 x 50 cm. Susannah Martin (2019): “The human body as subject matter is always political. There is no way around that. The nude figure is probably the most confrontational subject that an artist can take on. Whether a viewer is open to it or rejects it, the human subject leaves no one cold. We all have intense feelings when looking at our fellow human beings. How we react to an image of the human body has to do with our most intimate personal fears and desires as well as social conditioning and expectations”.

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Visit > Susannah Martin at: Galerie Störpunkt, Galerie Licht Feld, JY Gallery.
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Odilon Redon. Head of Orpheus ('Tête d'Orphée'), ca. 1900 (Musée d'Orsay, Paris).

Oil on canvas: 32.2 x 40.2 cm. Photo credit: Francesco Bini.

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Teodora Axente. In Secrecy, 2013 (private collection).

Oil on canvas: 74 x 63 cm. Teodora Axente (2021): “I present an unexpected series of materials through which I evoke the amalgam of matter that has mastered my characters. They become dependent on the matter that will dominate them and that seeks to shape them from within. The presence of aluminum foil, plastic bags, satin, velvet, pearls or furs evokes that state of mystery in some places with noble aspects, which fascinates the eye at first sight, but also becomes contrasting through the strangeness of association of the chosen objects and materials”.

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Visit > Teodora Axente at: Galleria Doris Ghetta, Rosenfeld Porcini.

Joachim Patinir. Charon crossing the Styx (‘El paso de la laguna Estigia’), 1524 (Museo Nacional del Prado, Madrid).

Oil on wood: 64 x 103 cm.

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Joachim Beuckelaer. The butcher’s Shop (‘Bottega del macellaio’), 1568 (Museo di Capodimonte, Naples).

Oil on canvas: ca. 160 x 220. Inspired by or referring to Aertsen’s Meat Stall.

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Neil Stokoe. Man and Woman, spiral Staircase, 1983 (artist’s estate, UK).

Oil on canvas: 266.7 x 180.3 cm(!).

More > Neil Stokoe at Art UK.
More > Neil Stokoe at: The Piper Gallery, Megan Piper, The Redfern Gallery.

John Frederick Peto. Still Life with Oranges and a Box of Confections, ca. 1890 (private collection).

Oil on board: 15 x 23 cm(!). Auctioned at Sotheby’s New York, April 2014.

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Arthur Riedel. Woman with Beachball (‘Frau mit Wasserball’), 1932 (private collection, Switzerland).

Tempera on board: 73 x 60 cm. Neue Sachlichkeit (New Objectivity) in Switzerland.

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Raoul de Keyser. Shore (‘Oever’), 2005 (private collection, Berlin).

Oil on canvas on wood: 18 x 15.5 cm(!).

Visit > Raoul de Keyser at: Zeno X Gallery, David Zwirner.
More > Raoul de Keyser at Wikipedia.

Edgar Degas. In Front of the Mirror, 1889 (Hamburger Kunsthalle).

Pastel on paper: 49 x 64 cm.

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Orazio Gentileschi. Young Woman playing a Violin, ca. 1612 (Detroit Institute of Arts).

Oil on canvas: 83.5 x 97.8 cm.

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Joaquín Sorolla y Bastida. The horse’s Bath (‘El baño del caballo’), 1909 (Museo Sorolla, Madrid).

Oil on canvas: 205 x 250 cm(!).

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Lee Mullican. Dance, 1958 (private collection).

Oil on canvas: 127 x 101.6 cm.

More > Lee Mullican at Wikipedia.

Bartolomé Estebán Murillo. Don Andrés de Andrade y la Cal, ca. 1672 (Metropolitan Museum of Art, New York).

Oil on canvas: 200.7 x 119.4 cm.

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Léon Cogniet. Scene of July 1830 (‘Scène de Juillet 1830’/ ‘Les drapeaux’), 1830 (Musée des Beaux-Arts d'Orléans).

Oil on canvas: 19 x 24 cm(!).

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Max Beckmann. Woman with Mandolin in Yellow and Red (‘Frau mit Mandoline in Gelb und Rot’), 1950 (Pinakothek der Moderne, Munich).

Oil on canvas: 92 x 140 cm.

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Alexander Samokhvalov (Алекса́ндр Никола́евич Самохва́лов). Girl in a Football Jersey, 1932 (State Russian Museum, Saint Petersburg).

Tempera on canvas: 102 x 64 cm. The football Mona Lisa. Later reworked into a colour lithograph “Girl in a Sports Shirt” (holding a tennis racket and tennis ball).

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Ferdinand Hodler. Summit in the Morning ('Berggipfel am Morgen'), 1915 (Kunsthaus, Zürich).

Oil on canvas: 51 x 81 cm.

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Clara Peeters. Still Life with Cheeses, Almonds and Pretzels (‘Stilleven met kazen, amandelen en krakelingen’), ca. 1615 (Mauritshuis, The Hague).

Oil on wood: 34.5 x 49.5 cm. Tiny self-portrait in the reflection of the goblet's pewter lid.

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