Carl Rottmann. Delos - Greece, 1840 (Neue Pinakothek, Munich).

Oil and resin on plaster board: 161.8 x 205.9 cm.

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Alphonsine de Challie. Young Lady with a pink Veil (‘Jeune femme brune au voile rose à sa toilette’), ca. 1900 (private collection).

Oil on canvas: 62 x 81 cm. Auctioned at Artcurial Paris, November 2017. Alphonsine de Challie worked in the studio of Charles Joshua Chaplin and was a friend of Berthe Morisot. Ears were not her forte.

George Henry. Lady with Goldfish, ca. 1905 (Kirkcaldy Galleries, Kirkcaldy).

Oil on canvas: 96.5 x 114.5 cm.

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Gustav Klimt. Music I (‘Die Musik’), 1895 (Neue Pinakothek, Munich).

Oil and gold on canvas: 27.5 x 35.5 cm.

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Johann Baptist Reiter. Slumbering Woman (‘Schlummernde Frau’), 1849 (Österreichische Galerie Belvedere, Vienna).

Oil on canvas: 55 x 68 cm. Artist’s first wife, who left him in 1850.

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Fedot Sychkov (Федот Васильевич Сычков). Mordvinian Girl, 1931 (private collection).

Oil on canvas: 89 x 69 cm. Auctioned at Dorotheum Vienna, October 2016.

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Konstantin Kryzhitsky (Константин Яковлевич Крыжицкий). The Lake, 1892 (private collection).

Oil on canvas: 51 x 81 cm. Auctioned at Mac Dougall’s London, December 2015.

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Jan Massys (Massijs/ Matsys/ Metsys). Flora, 1559 (Hamburger Kunsthalle).

Oil on oak: 113.2 x 112.9 cm. Son of the leading Antwerp painter Quinten Matsys (Massys/ Massijs/ Metsys).

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Zoran Mušič. Fishing Nets at Chioggia (‘Filets a Chioggia’), 1956 (Estorick Collection of Modern Italian Art, London).

Oil on canvas: 113 x 145 cm. A relatively mild work by a very troubled and restless artist.

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Henri Matisse. Yellow Odalisque, 1937 (Philadelphia Museum of Art).

Oil on canvas: 55.2 x 46 cm.

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Peder Mørk Mønsted. River in Saeby Forest (‘Ån i Saeby Skov’), 1896 (private collection).

Oil on canvas: 90 x 152 cm. Mønsted = guilty pleasure. Auctioned at Bukowskis Stockholm, June 2015.

More > Peder Mørk Mønsted at Wikipedia.

Philips Wouwerman. The Halt of a Hawking Party at a Wayside Inn, ca. 1660 (Royal Collection Trust, London).

Oil on canvas on panel: 57.9 x 62.1 cm. With his signature diagonal composition.

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Piero di Cosimo (attributed). Portrait of a Woman, said to be Simonetta Vespucci (‘Portrait de femme dit de Simonetta Vespucci’), 1490 (Musée Condé, Chantilly).

Tempera on wood: 42 x 57 cm. The face is en profil, but the bust is turned towards the spectator. Authenticity of inscription is disputed. The Botticelli portrait: here.

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Firmin Baes. The young Girl and the Cabbage (‘La petite fille au chou’), ca. 1903 (private collection, Antwerp).

Pastel, oil and watercolour on board: 85 x 70.5 cm. From the Caroline & Maurice Verbaet Collection. When this work was made, it was custom in Belgium and the Netherlands to tell children that babies were born out of a cabbage.

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Lee Price. Ice Cream II, 2011 (artist’s portfolio).

Oil on linen: 81 x 165 cm.

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Charles Hermans. Bal Masqué, 1880 (Chimei Museum, Tainan City).

Oil on canvas: 321.3 x 401.3 cm(!). Auctioned at Sotheby’s New York, November 2011.

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Jan van Kessel the elder. Festoons, Masks and Rosettes of Shells (‘Festons, masques et rosettes de coquillages’), 1656 (Fondation Custodia/ Collection Frits Lugt, Paris).

Oil on copper: 40 x 56 cm. Trompe-l'œil.

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Jacob Philipp Hackert. Fireworks over Castel Sant'Angelo in Rome (‘Feuerwerk auf der Engelsburg in Rom’), ca. 1775 (Klassik Stiftung, Weimar).

Gouache on paper: 44.7 x 58.2 cm.

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Gerald Leslie Brockhurst. Delores, ca. 1925 (private collection).

Oil on wood: 61 x 46 cm. Auctioned at Christie's London, December 2014.

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Piet Mondriaan/ Mondrian. Composition in Red, Blue and Yellow, ca. 1942 (Museum of Modern Art, New York).

Oil on canvas: 60.3 x 55.4 cm.

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Joachim Beuckelaer. The Four Elements: Fire, 1569 (National Gallery, London).

Oil on canvas: 158 x 215 cm. Photo credit: Ramón Muñoz. The other elements: Earth, Water, Air.

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Dod Procter. The Orchard, 1934 (Tate Britain, London).

Oil on canvas: 101.6 x 127 cm.

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John Martin. The Plains of Heaven (triptych), ca. 1852 (Tate Britain, London).

Oil on canvas: 307 x 199 cm(!).

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Alan Beeton. Marguerite Kelsey, ca. 1936 (private collection, UK).

Oil on canvas. Said to be in the collection of Richard Ormond, former director of the National Maritime Museum. Exhibited at the Watts Gallery, Guildford/ UK November 2016. The Frampton portrait: here.

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Ta Men+ (他们+, Lai Shengyu and Yang Xiaogang). Tibet, 2008 (artist’s portfolio).

Acrylic on canvas: 180 x 280 cm(!).

Visit > Ta Men+ at Yang Gallery.