Edvard Munch. White Night (‘Hvit natt’), 1901 (Nasjonalmuseet, Oslo).

Oil on canvas: 115.5 x 111 cm.
And a happy new year...

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Jheronimus/ Hieronymus Bosch. The Garden of Earthly Delights - triptych (‘Tríptico del jardín de las delicias’), ca. 1500 (Museo Nacional del Prado, Madrid).

Oil on oak: 205.6 x 386 cm (including frames).

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Chloe Early. Encounter, 2013 (artist’s portfolio/ prints).

Oil on aluminium: 182 x 123 cm. For this series the artist had models jumping on a trampoline and photographed them in mid-air. Chloe Early: “...I’ve always been interested in opposites in my work and exploring themes which can have a dual interpretation”.

Visit > Chloe Early official.
More > Chloe Early blog.
More > Suspended, video by Andrew Telling.

Adolph (von) Menzel. Afternoon in Tuileries Gardens, 1867 (National Gallery, London).

Oil on canvas: 49 x 70 cm.

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Malcolm T. Liepke. Reclining Nude, 2010 (private collection).

Oil on canvas: ca. 33 x 33 cm(?).

Visit > Malcolm T. Liepke at Arcadia Contemporary.
More > Malcolm T. Liepke at Wikipedia.

Hendrick ter Brugghen. Bacchante with an Ape, 1627 (J. Paul Getty Museum, Los Angeles).

Oil on canvas: 102.9 x 89.2 cm.

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Ivan Ivarson. View from a Balcony with Flowers (‘Balkongutsikt med blomsterprakt’), ca. 1930 (private collection).

Oil on wood: 60 x 60 cm. Auctioned at Stockholms Auktionsverk, April 2011.

More > Ivan Ivarson at Wikipedia.

John William Waterhouse. Gather Ye Rosebuds While Ye May, 1908 (private collection).

Oil on canvas: 61.6 cm x 45.7 cm.

More > John William Waterhouse at Wikipedia.
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Philip Alexius de László. Portrait of Edith Hope Iselin, 1930 (private collection).

Oil on canvas: 163 x 91 cm. Auctioned at Sotheby’s London, July 2015. Edith Hope Iselin (1905-2001) was the daughter of Charles Oliver Iselin of New York, a well-known millionaire banker, and his second wife Edith Hope Goddard. She was painted in László’s London studio over the course of several sittings in 1930. In 1932 the painting was exhibited at Knoedler New York, and featured on the front cover of The Art News. A film fragment exists of Edith Hope Iselin wearing the same dress. In 1936 she married Archer Gracchus Jones jr., and lived much of the rest of her life on her ranch in Tucson, Arizona.

More > Philip Alexius de László at Wikipedia.
More > The de Laszlo Archive Trust.

Pekka Halonen. Early Spring, 1911 (Espoon Modernin Taiteen Museo, Espoo).

Oil on canvas: ca. 54 x 39 cm.

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Diego Velázquez. The Toilet of Venus ('The Rokeby Venus'), ca. 1650 (National Gallery, London).

Oil on canvas: 122.5 x 177 cm. Attacked with a meat cleaver by suffragette Mary Richardson (nicknamed ‘Slasher Mary’) in 1914.

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Vilhelm Hammershøi. Interior with a Lady, 1901 (Detroit Institute of Arts).

Oil on canvas: 54.9 x 53 cm.

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Hans Sieverding. Untitled 17-11-2015, 2015 (private collection).

Acrylic on canvas: 130 x 150 cm.

Visit > Hans Sieverding official.
Visit > Hans Sieverding at: Odon Wagner Gallery, Zellermayer Galerie, Cac Contemporary Art, Galerie Kautsch, Gebert Contemporary.
More > Hans Sieverding at Darmstädter Sezession.

Giovanni Battista Moroni. Portrait of a young Lady, ca. 1565 (private collection).

Oil on canvas: 51 x 42 cm. Almost too good to be true. Its provenance dates back to a 1918(?) sale of antiques from the collection of Prince Gagarin of St. Petersburg (Kathleen M. Morris/ Williamstown).

More > Giovanni Battista Moroni at Wikipedia.

Joseph William Turner. Yacht approaching the Coast, ca. 1845 (Tate Britain, London).

Oil on canvas: 102.2 x 142.2 cm.

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Eckart Hahn. Hypnotic, 2013 (artist’s portfolio).

Acrylic on canvas: 100 x 80 cm.

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Visit > Eckart Hahn at: Pablo's Birthday Gallery, Galerie Rothamel, Galerie Wagner + Partner.
More > Eckart Hahn at Wikipedia.

Jan van Kessel of Amsterdam. At the Heiligewegspoort in Amsterdam (‘Bij de Heilige Wegs Poort in Amsterdam’), 1680 (Nasjonalmuseet, Oslo).

Oil on canvas: 76.5 x 107.5 cm. Jan van Kessel of Amsterdam (1641-1680), not to be confused with Jan van Kessel the elder (1626-1679).

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Piet Mondriaan/ Mondrian. Composition No. III, with Red, Blue, Yellow and Black, 1929 (private collection).

Oil on canvas: 50 x 50.2 cm. Auctioned at Christie’s New York, May 2015. Price tag US$ 50.565.000 (ca. € 42.600.000).

More > Piet Mondriaan at Wikipedia.

Sebastiaen Vrancx (w. Jan Brueghel the elder). Raid on a Convoy (‘Sorpresa de un convoy’), ca. 1620 (Museo Nacional del Prado, Madrid).

Oil on wood: 48 x 86 cm.

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More > Sebastiaen Vrancx at Wikipedia.

Erik Mattijssen. Household Supplies, 2016 (artist’s portfolio).

Gouache on paper: 150 x 101 cm.

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Visit > Erik Mattijssen at: RonLangArt.

Michael Sweerts. Head of a woman, ca. 1654 (J. Paul Getty Museum, Los Angeles).

Oil on wood: 50.6 x 37.5 cm. Such an intriguing portrait. Life has not been kind to her. Her teeth are gone. Working hard, but always in poverty. What went through her mind when she saw the finished portrait? Sweerts is said to have been an unpleasant character. He travelled Asia and the Middle-East and ended up with the Jesuits in Goa. 

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Pieter Aertsen. Market Woman at a Vegetable Stand (‘Marktfrau am Gemüsestand’), 1567 (Gemäldegalerie, Berlin).

Oil on oak: 110 x 110 cm.

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More > Pieter Aertsen at Wikipedia.

Jean-Honoré Fragonard. Young Girl reading, ca. 1776 (National Gallery of Art, Washington).

Oil on canvas: 81.1 x 64.8 cm.

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Meredith Frampton. Portrait of a young Woman, 1935 (Tate Modern, London).

Oil on canvas: 205.7 x 107.9 cm.

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More > Meredith Frampton at Wikipedia.
More > Meredith Frampton at Art UK.

Gustaf Fjaestad. Winter Landscape (‘Vinterlandskap’), ca. 1920 (private collection).

Oil on canvas: 100 x 130 cm. Auctioned at Stockholms Auktionsverk, June 2012.

More > Gustaf Fjaestad at Wikipedia.

Rogier van der Weyden. The Descent from the Cross (‘El Descendimiento’), ca. 1435 (Museo Nacional del Prado, Madrid).

Oil on oak: 204.5 x 261.5 cm. The figures are slightly less than life-size. Cleaned and restored in 1992-1993. The panel is exceptionally well preserved. Beautiful contortions and false perspectives to fit the golden box. Powerful gestures and facial expressions. Copy by Michiel Coxcie (ca. 1545) at the Bode Museum, Berlin.

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