11 December 2019

Frits Thaulow. Watermill, 1892 (Philadelphia Museum of Art).


Oil on canvas: 81.3 x 121 cm. The watermill along the banks of the river Canche in Montreuil-sur-Mer. Remains of the former mill can still be found at the Rue du Moulin du Bacon. Similar version ‘Bak møllene, Montreuil-sur-Mer’ (1892) auctioned at Grev Wedels Plass Auksjoner Oslo, May 2011.

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Eugène Jansson. Hornsgatan by Night (‘Hornsgatan nattetid’), 1902 (Nationalmuseum, Stockholm).


Oil on canvas: 152 x 182 cm.

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25 November 2019

Christian Rex van Minnen. Paralax, 2019 (artist’s portfolio).


Oil on linen: 122 x 182.9 cm. Christian Rex van Minnen (2017): “I find that in the Dutch Golden Age, where oil painting as a material reached its zenith. In terms of what oil paint can do, I think that is the height of its technical application. But I also see that period in history as the root of a lot of the world's problems, the sort of early celebration of the material and capitalism and the global economy. Everything that made that art market explode, allowing artists to be free to explore the material and subject matter was because of this explosion in the merchant class. That had a lot to do with slavery and the global marketplace, and colonization, so I have mixed emotions about it”.

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Visit > Christian Rex van Minnen at: Postmasters Gallery, Gallery Poulsen, Robischon Gallery, Richard Heller Gallery.
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13 November 2019

El Greco (Domenikos Theotokopoulos). Laocoön, ca. 1614 (National Gallery of Art, Washington).



Oil on canvas: 137.5 x 172.5 cm. El Greco’s sole painting of a mythological subject. The Laocoön statue (excavated in 1506) was rapidly depicted in prints and models, and became popular all over Europe. The statue triggered the paradox of admiring beauty while seeing people dying. El Greco’s interpretation has hardly any beauty. He is deliberately breaking away from the balance and harmony of Renaissance art.

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